Caan, who's no stranger to action or holding a weapon on screen, inhabits the character of Lou well, even though he'd probably enjoy having a meatier role to play. Jake might think he knows his "senile" and nursing-home-dwelling grandfather, but the truth is far more complicated. Directed by Canadian TV veteran Erik Canuel, Undercover Grandpa explores the well-used cliche that "old folks" still have plenty to teach younger generations about, well, pretty much everything. This mildly amusing intergenerational adventure serves as a melancholy reminder of how Hollywood disregards acclaimed actors like Caan, Sorvino, and Gossett in their golden years. and Paul Sorvino) for one last mission to rescue Angie. Hesitant at first, Jake eventually agrees to help Grandpa enlist his old war buddies (including Louis Gossett Jr. Grandpa then reveals that he has the specific skills necessary to rescue Angie, who's being held by fictional foreign bad guys. When Jake and Grandpa finally get there, it's clear (to Grandpa) that Angie has been kidnapped. Things take an unexpectedly dramatic turn when, on the way to drop Grandpa off at the nursing home after dinner, Angie calls to ask whether Jake can pick her up from where her car broke down in an abandoned industrial neighborhood. But their first date gets off to an annoying start when Jake's mom says he has to stay for his family's bi-weekly dinner with Grandpa Lou ( James Caan). After finding out that Angie has finally broken up with her boyfriend, Jake asks her to a classmate's party, and she agrees. MPAA Rating: PG-13 (for some violence and suggestive material)Ĭast: James Caan, Dylan Everett, Louis Gossett Jr., Jessica Walter, Paul Sorvino and Greta OnieogouĬredits: Directed by Eric Canuel, script by Jeff Schechter A CCI Entertainment/Netflix release.UNDERCOVER GRANDPA is about 17-year-old Jake (Dylan Everett), a nerdy Canadian teen with a massive crush on his beautiful childhood friend, Angie (Greta Onieogou). But man - let’s wish for better things for everybody involved, save for the screenwriter. Welsh, of “Twin Peaks” back in the day and TV’s “Lodge 49” today, is gifted with the only sight gags - a deep sea “walker” and a first generation (1950ish) “computer” that he still uses.Īnd that’s about it, just some fairly colorless young performers teamed up with guys who mention “I have to pee eight times a night, six times in the toilet.”Ĭaan, Gossett, Sorvino and the rest get to work, everybody puts some effort in. We’re treated to a few threats that the stunt people and Caan back up, DeNiro in “The Irishman” style - half-speed, cautious kicks and fights where the fear of breaking a hip is obvious. “I thought you were dead.” “I don’t think so.” The script gives nobody but Caan anything amusing to say, and all of that is recycled from a dozen better movies. , Paul Sorvino, Kenneth Welsh and Lawrence Dane as the elderly experts in camo, weapons, tech and tactics that Grandpa used to to work with. So we’ve got a more PG than PG-13 “RED,” with Louis Gossett Jr. And before Grandpa’s old boss (Jessica Walter), running her covert ops HQ out of the basement of the local sanitation plant, can stop them - Grandpa is “getting the team back together. That’s not good.”Īs he tries to convince the kid,m who is “tired of everybody telling me what to do,” we gather that this war criminal on the lam (Paul Braunstein) might be behind it. Then Angie disappears from the spot where her Mini Cooper broke down (true-to-life accuracy) and all Grandpa has to do is sniff the air and read the tire and shoe tracks to know what went down. You tell the family you invented “KFC” during the Bay of Pigs, nobody’s going to take you seriously. He’s always dropping broad hints of his many exploits and adventures in covert ops, as a member of the Devil’s Scum. But he’s got to drive his beloved, yarn-spinning blowhard of a grandpa (Caan) around first. It’s about a private school teen ( Dylan Everett of TV’s “Pure”) who only wants to score points with fastpitch softball siren Angie ( Greta Onieogou of TV’s “All American”). He was 76 when he made “Undercover Grandpa,” and he’s the only reason to see it, offering up a tiny taste of his lingering twinkle in a comedy that’s far beneath his talents. Stream “Holy Lands” or “The Good Neighbor” to get an idea of what he still gets out of it, aside from a paycheck. He’s still working, diving into indie fare and B-movies and cheap exploitation pics, and he generally shows up and makes sure he delivers fair value. The man turns 80 this year, and there was no way he was ever going “gentle into that good night,” as the poet said.
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